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Alone With You The Outfield Karaoke Track

Alone With You The Outfield Karaoke Track 3,5/5 3517 votes

Although was not as huge as 's runaway debut, it's still another flawless piece of pop craft. This trio knows hooks and is never afraid to use them. Swirling in the center, as always, is the precise and economic guitar of whose sentimental songwriting becomes even more forlorn and desperate when passing though the pipes of sonorous singer. Most songs are variations on the classic unrequited love theme, and thus avoid pretension like (gasp!) early. Plus, the impassioned vocal delivery over tight playing constantly pulls the listener inside the soaring songs.

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And in the end, the songs are all that matter. 'Bangin' on My Heart,' 'No Surrender,' 'Moving Target,' 'Main Attraction,' and 'Since You've Been Gone' pack picture-perfect power punches.

In fact, maintains a consistent quality exclusive to only the upper echelon of rock. Mistakenly lost in the files, are a true find, and deserves any pop fan's attention.

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's brisk pop sound gave them five Top 40 singles within the span of five years. Their sound is comprised of remnants of classic rock which is soothed by the fluidness of ' voice, and a front-line guitar attack driven.

Is a generous, 16-track compilation made up of the Outfield's hits as well as their unreleased and B-side material, offering a delightful roam through their short-lived stint. With 'Your Love,' 'All the Love in the World,' and 'Voices of Babylon' representing some of their greatest chart successes, the rest of the collection still houses many other pleasing contributions. The effectively encumbered guitar charge of 'Since You've Been Gone' from 1987's Bangin' stands out, as does the sheer charm of 'For You' off of 1990's Diamond Days. Although acoustic tracks such as 'Alone With You' and 'Through the Years' appear in mono, they are welcomed just the same. The disappointing Rockeye album contributes its two best efforts in 'Closer to Me' and 'Winning It All,' while 'One Hot Country' from the If Looks Could Kill soundtrack is the set's weakest contribution, sounding glitzy and overly effusive even for the '90s. Still, with only one or two feeble tracks, is a more-than-sufficient hits package.